Mahmoud Dowlatabadi
Iran
Dense, unhurried village realism: deprivation and small cruelty accumulated in exhaustive, unsentimental detail until it carries an epic's weight.
Dowlatabadi grew up poor in a village near Sabzevar, the son of a cobbler, and left school young, cycling through work as a barber, bicycle repairman, and street bookseller before joining a provincial theater troupe and eventually acting and working as a prompter at Tehran's Workshop Theatre. The Shah's secret police imprisoned him for roughly two years in the early 1970s over his theater connections.
Missing Soluch (1979), largely composed from memory during that imprisonment, follows Mergan, abandoned overnight by her husband in a droughted Khorasan village, as she fights to keep her children fed and her small plot of land amid a community's casual cruelty: rural Iran rendered with an epic, unsentimental density that drew comparisons to Sholokhov's Cossack villages.
He went on to write the multivolume Kelidar and the banned The Colonel, a novel of the Islamic Revolution unpublished in Iran for decades, and remains one of the country's most internationally translated living novelists.
Lines of influence
No descendants recorded, yet.
Their books in the atlas
- 1979
Missing SoluchLvl 7family saga
Meanwhile, elsewhere
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1903–1951Sadegh HedayatIranshared movement: Arabic & Middle Eastern Modern · both write in Persian · same region & era