Bookatlas
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Crime and Conscience

A body drops in the first chapter of every one of these; what happens after is where the real book lives. Watch the crime novel graduate from psychology to history to something closer to metaphysics.

  1. Cover of The Talented Mr. Ripley
    The Talented Mr. Ripley

    Patricia Highsmith · 1955

    Lvl 4290pp

    Highsmith gives us a murderer with no conscience at all: the crime novel's coldest, most seductive point of view.

  2. Cover of In Cold Blood
    In Cold Blood

    Truman Capote · 1966

    Lvl 5343pp

    Capote's 'nonfiction novel' treats a real quadruple murder with a biographer's patience: true crime before the genre had a name.

  3. Cover of Crime and Punishment
    Crime and Punishment

    Fyodor Dostoevsky · 1866

    Lvl 6545pp

    Dostoevsky puts the conscience Ripley lacks under a microscope: the murder happens early; the guilt is the whole plot.

  4. Cover of My Name Is Red
    My Name Is Red

    Orhan Pamuk · 1998

    Lvl 7417pp

    Pamuk hides a murder inside a debate about Ottoman miniature painting: every chapter narrated by a different suspect, including the corpse.

  5. Cover of The Name of the Rose
    The Name of the Rose

    Umberto Eco · 1980

    Lvl 8536pp

    Eco buries a serial killer inside a medieval abbey and a labyrinth of forbidden books: the whodunit as treatise on knowledge itself.

  6. Cover of 2666
    2666

    Roberto Bolaño · 2004

    Lvl 8912pp

    Bolaño closes the path with the genre's void: hundreds of unsolved murders in a border town, catalogued with a bureaucrat's horror. No resolution. That's the point.